Immer samstags gibt es hier einen Sammelpost mit allem, was es nicht zu einem eigenen Artikel gebracht hat. Das ist mal mehr, mal weniger. Mal gucken, wie’s klappt.

? The Washing Away of Wrongs

Robert Shults hat auf der Body Farm im texanischen San Marcos Fotos beeindruckende gemacht. Body Farm? Tante Wiki weiß bescheid.


? I grew up in the Westboro Baptist Church. Here’s why I left

What’s it like to grow up within a group of people who exult in demonizing … everyone else? Megan Phelps-Roper shares details of life inside America’s most controversial church and describes how conversations on Twitter were key to her decision to leave it. In this extraordinary talk, she shares her personal experience of extreme polarization, along with some sharp ways we can learn to successfully engage across ideological lines.

? Librairie Mollat auf Instagram

In der Librairie Mollat hat man ein gutes Auge dafür, wer zu welchem Buch passt. Im wahrsten Sinne des Wortes.

? Rayna meets a „robot“

I love you, robot!

? Aufnahmen von Atomexplosionen

The U.S. conducted 210 atmospheric nuclear tests between 1945 and 1962, with multiple cameras capturing each event at around 2,400 frames per second. But in the decades since, around 10,000 of these films sat idle, scattered across the country in high-security vaults. Not only were they gathering dust, the film material itself was slowly decomposing, bringing the data they contained to the brink of being lost forever.

For the past five years, Lawrence Livermore National Laboratory (LLNL) weapon physicist Greg Spriggs and a crack team of film experts, archivists and software developers have been on a mission to hunt down, scan, reanalyze and declassify these decomposing films. The goals are to preserve the films’ content before it’s lost forever, and provide better data to the post-testing-era scientists who use computer codes to help certify that the aging U.S. nuclear deterrent remains safe, secure and effective.

? Extreme Pimple Popping with Dr. Pimple Popper

Das ist harter Stoff.



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